Tissue please god? I’ve found lightning

from $700.00

The photograph is dead, a victim of the relentless onslaught of digital imagery, where a single swipe can render it obsolete.

In an artistic collaboration; Johnny Boy and NONECK merge their distinct styles to confront the frenetic pace of image consumption in the digital age. By intertwining photography with kaleidoscopic compositions and vibrant palettes, the duo disrupts the relentless velocity of photographic consumption. Their collaboration provokes reflection on how the image is consumed. Themes of social alienation, religious iconography and the re-appropriation of cultural memory, while simultaneously critiquing the fractured landscape of modern life.

Original Details: Framed, Pigment Print, Acrylic, Leaf

Print Details: Framed, Pigment Print, Leaf

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The photograph is dead, a victim of the relentless onslaught of digital imagery, where a single swipe can render it obsolete.

In an artistic collaboration; Johnny Boy and NONECK merge their distinct styles to confront the frenetic pace of image consumption in the digital age. By intertwining photography with kaleidoscopic compositions and vibrant palettes, the duo disrupts the relentless velocity of photographic consumption. Their collaboration provokes reflection on how the image is consumed. Themes of social alienation, religious iconography and the re-appropriation of cultural memory, while simultaneously critiquing the fractured landscape of modern life.

Original Details: Framed, Pigment Print, Acrylic, Leaf

Print Details: Framed, Pigment Print, Leaf

The photograph is dead, a victim of the relentless onslaught of digital imagery, where a single swipe can render it obsolete.

In an artistic collaboration; Johnny Boy and NONECK merge their distinct styles to confront the frenetic pace of image consumption in the digital age. By intertwining photography with kaleidoscopic compositions and vibrant palettes, the duo disrupts the relentless velocity of photographic consumption. Their collaboration provokes reflection on how the image is consumed. Themes of social alienation, religious iconography and the re-appropriation of cultural memory, while simultaneously critiquing the fractured landscape of modern life.

Original Details: Framed, Pigment Print, Acrylic, Leaf

Print Details: Framed, Pigment Print, Leaf

La Llorona à l'envers
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Portrait in wartime as she exits Bloomingdale’s
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