Portrait in wartime as she exits Bloomingdale’s
The photograph is dead, a victim of the relentless onslaught of digital imagery, where a single swipe can render it obsolete.
In an artistic collaboration; Johnny Boy and NONECK merge their distinct styles to confront the frenetic pace of image consumption in the digital age. Johnny Boy's street photographs and portraits meet NONECK's maximalist visual language, resulting in a fusion that challenges viewers to pause and engage with the layers of meaning embedded within each composition.
Original Details: Framed, Pigment Print, Acrylic, Leaf
Print Details: Framed, Pigment Print, Leaf
The photograph is dead, a victim of the relentless onslaught of digital imagery, where a single swipe can render it obsolete.
In an artistic collaboration; Johnny Boy and NONECK merge their distinct styles to confront the frenetic pace of image consumption in the digital age. Johnny Boy's street photographs and portraits meet NONECK's maximalist visual language, resulting in a fusion that challenges viewers to pause and engage with the layers of meaning embedded within each composition.
Original Details: Framed, Pigment Print, Acrylic, Leaf
Print Details: Framed, Pigment Print, Leaf
The photograph is dead, a victim of the relentless onslaught of digital imagery, where a single swipe can render it obsolete.
In an artistic collaboration; Johnny Boy and NONECK merge their distinct styles to confront the frenetic pace of image consumption in the digital age. Johnny Boy's street photographs and portraits meet NONECK's maximalist visual language, resulting in a fusion that challenges viewers to pause and engage with the layers of meaning embedded within each composition.
Original Details: Framed, Pigment Print, Acrylic, Leaf
Print Details: Framed, Pigment Print, Leaf
